Tate Britain

Coordinates:51°29′27″N 0°07′38″W / 51.490833°N 0.127222°W / 51.490833; -0.127222

Tate Britain
Tate Britain (5822081512) (2).jpg
Tate Britain is located in Central London
Tate Britain
Location within Central London
Established1897 (1897)
LocationMillbank
London, SW1
Coordinates51°29′27″N 0°07′38″W / 51.490833°N 0.127222°W / 51.490833; -0.127222
Visitors391,599 (2020)[1]
DirectorAlex Farquharson[2]
Public transit accessLondon Underground Pimlico
Websitetate.org.uk/britain
Tate

Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England.[3] It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. It is the oldest gallery in the network, having opened in 1897.[4][5] It houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. The museum had 391,595 visitors in 2020, a drop of 78 per cent from 2019 due to COVID-19 pandemic closures, but still ranked 52nd on the list of most-visited art museums in the world.[6]

History

The gallery is on Millbank, on the site of the former Millbank Prison. Construction, undertaken by Higgs and Hill,[7] commenced in 1893, and the gallery opened on 21 July 1897 as the National Gallery of British Art. However, from the start it was commonly known as the Tate Gallery, after its founder Sir Henry Tate, and in 1932 it officially adopted that name.[8] Before 2000, the gallery housed and displayed both British and modern collections, but the launch of Tate Modern saw Tate's modern collections move there, while the old Millbank gallery became dedicated to the display of historical and contemporary British art. As a consequence, it was renamed Tate Britain in March 2000.

The front part of the building was designed by Sidney R. J. Smith with a classical portico and dome behind, and the central sculpture gallery was designed by John Russell Pope. Tate Britain includes the Clore Gallery of 1987, designed by James Stirling, which houses work by J. M. W. Turner. The Clore Gallery has been regarded as an important example of Postmodern architecture, especially in the use of contextual irony: each section of the external facade quotes liberally from the building next to it in regard to materials and detailing.[9]

Crises during its existence include flood damage to artworks from the River Thames spilling its banks, and bomb damage during World War II. However, most of the collection was in safe storage elsewhere during the war, and a large Stanley Spencer painting, deemed too big to move, had a protective brick wall built in front of it.

In 1970, the building was given Grade II* listed status.[10]

In 2012, Tate Britain announced that it had raised the £45 million[11] required to complete a major renovation, largely thanks to a £4.9 million grant from the Heritage Lottery Fund and £1 million given by Tate Members.[12] The museum stayed open throughout the three phases[13] of renovation.[11] Completed in 2013, the newly designed sections were conceived by the architects Caruso St John and included a total of nine new galleries, with reinforced flooring to accommodate heavy sculptures. A second part was unveiled later that year, the centrepiece being the reopening of the building's Thames-facing entrance as well as a new spiral staircase beneath its rotunda.[13] The circular balcony of the rotunda's domed atrium, closed to visitors since the 1920s, was reopened. The gallery also now has a dedicated schools' entrance and reception beneath its entrance steps on Millbank and a new archive gallery for the presentation of temporary displays.[14]

Facilities

Millbank Millennium Pier outside Tate Britain, which is linked by a high-speed boat to Tate Modern

The front entrance is accessible by steps. A side entrance at a lower level has a ramp for wheelchair access. The gallery provides a restaurant and a café, as well as a Friends room, open only to members of the Tate. This membership is open to the public on payment of an annual subscription. As well as administration offices the building complex houses the Prints and Drawings Rooms (in the Clore galleries),[15] as well as the Library[16] and Archive[17] in the Hyman Kreitman Reading Rooms.[18] The restaurant features a mural by Rex Whistler, The Expedition in Pursuit of Rare Meats. Protests over the depiction of the enslavement of Black children and the stereotyping of Chinese figures in the mural has led to the closure of the restaurant.[19]

Tate Britain and Tate Modern are now connected by a high speed boat along the River Thames, which runs from Millbank Millennium Pier immediately outside Tate Britain. The boat is decorated with spots, based on paintings of similar appearance by Damien Hirst. The lighting artwork incorporated in the pier's structure is by Angela Bulloch.[20]

Displays

The main display spaces show the permanent collection of historic British art, as well as contemporary work. It has rooms dedicated to works by one artist, such as: Tracey Emin, John Latham, Douglas Gordon, Sam Taylor-Wood, Tacita Dean, Marcus Gheeraerts II, though these, like the rest of the collection, are subject to rotation.

The gallery also organises career retrospectives of British artists and temporary major exhibitions of British Art. Every three years the gallery stages a Triennial exhibition in which a guest curator provides an overview of contemporary British Art. The 2003 Tate Triennial was called Days Like These.[21] Art Now is a small changing show of a contemporary artist's work in a dedicated room.

Tate Britain is the home of the annual and usually controversial Turner Prize exhibition, featuring four artists selected by a jury chaired by the director of Tate Britain. This is spread out over the year with the four nominees announced in May, the show of their work opened in October and the prize itself given in December. Each stage of the prize generates media coverage, and there have also been a number of demonstrations against the prize, notably since 2000 an annual picket by Stuckist artists. In recent years the exhibition and award ceremony have taken place at locations other than in Tate Britain: for example, in Liverpool (2007), Derry (2013), Glasgow (2015) and Hull (2017).

Tate Britain has attempted to reach out to a different and younger audience with Late at Tate Britain on the first Friday of every month, with half-price admission to exhibitions, live music and performance art.[22] Other public involvement has included the display of visitors', as opposed to curators', interpretation of certain artworks.

Regular free tours operate on the hour, and at 1:15 pm on Tuesday, Wednesday and Thursday short 15-minute talks are given on paintings, artists and artistic styles.[23]

Permanent collection

Tate Britain is the national gallery of British art from 1500 to the present day. As such, it is the most comprehensive collection of its kind in the world (only the Yale Center for British Art can claim similar expansiveness, but with less depth). More recent artists include David Hockney, Peter Blake and Francis Bacon. Works in the permanent Tate collection, which may be on display at Tate Britain include:


Statue of Millais

Statue of John Everett Millais by Thomas Brock at Tate Britain, installed 1905

When the Pre-Raphaelite painter and President of the Royal Academy, John Everett Millais, died in 1896, the Prince of Wales (later to become King Edward VII) chaired a memorial committee, which commissioned a statue of the artist.[24] The sculpture, by Thomas Brock, was installed at the front of the gallery in the garden on the east side in 1905. On 23 November that year, The Pall Mall Gazette called it "a breezy statue, representing the man in the characteristic attitude in which we all knew him".[24]

In 1953, Tate Director, Sir Norman Reid, attempted to have it replaced by Rodin's John the Baptist, and in 1962 again proposed its removal, calling its presence "positively harmful". His efforts were frustrated by the statue's owner, the Ministry of Works. Ownership was transferred from the Ministry to English Heritage in 1996, and by them in turn to the Tate.[24] In 2000 the statue was removed to the rear of the building.[24]

Transport connections

ServiceStation/StopLines/Routes servedDistance
from Tate Britain
London Buses London BusesTate Britain Disabled access87
London Underground London UndergroundPimlicoVictoria line0.4-mile walk[25]
National Rail National RailVauxhallSouth Western Railway0.5-mile walk[26]
London River Services BSicon BOOT.svgMillbank Millennium Pier Disabled accessTate to Tate0.2-mile walk[27]

Notes and references

  1. ^ "The Art Newspaper list of most-visited art museums in 2020, March 30, 2021
  2. ^ Press Release: New Director of Tate Britain Appointed, Tate online, 29 July 2015. Retrieved 14 July 2016.
  3. ^ Tate. "History of Tate". Tate. Retrieved 30 July 2021.
  4. ^ "Tate Britain, London, United Kingdom". HiSoUR - Hi So You Are. 5 March 2017. Retrieved 30 July 2021.
  5. ^ "Tate Modern and Tate Britain". 16 May 2021. Retrieved 30 July 2021.
  6. ^ The Art Newspaper, March 30, 2021
  7. ^ 'General introduction', Survey of London: volume 26: Lambeth: Southern area (1956), pp. 1–17. Date accessed: 27 March 2010.
  8. ^ Tate: History of Tate – The gallery at Millbank, London Linked 15 May 2013
  9. ^ "British Architecture", Architectural Design, London, 1982, p.78.
  10. ^ Historic England. "Tate Gallery (1222913)". National Heritage List for England. Retrieved 31 August 2016.
  11. ^ a b Sulcas, Roslyn (18 November 2013). "Tate Britain Completes Renovation". New York Times. Retrieved 19 November 2013.
  12. ^ "Tate Britain hits £45m renovation target". BBC News. 17 May 2012. Retrieved 19 November 2013.
  13. ^ a b Merrick, Jay (18 November 2013). "Tate Britain's redesign: It may not be cool but it's restrained, and elegant, and it works". The Independent. Retrieved 19 November 2013.
  14. ^ "'Transformed' Tate Britain unveiled". BBC News. 18 November 2013. Retrieved 19 November 2013.
  15. ^ "Prints and Drawings Rooms". Tate. Retrieved 15 August 2010.
  16. ^ "Research services: library", Tate online.
  17. ^ "Research services:archive", Tate online.
  18. ^ "Research services: Hyman Kreitman Reading Rooms", Tate online.
  19. ^ Lanre Bakare (7 December 2020). "Future of Tate Britain's 'offensive' Rex Whistler mural under review". The Guardian. Retrieved 7 December 2020.
  20. ^ "Millbank Pier web site". Millbankpier.co.uk. 22 May 2003. Retrieved 15 August 2010.
  21. ^ "Days Like These", Tate online.
  22. ^ "events education", Tate online.
  23. ^ Tate Britain Archived 9 February 2012 at the Wayback Machine, LondonBoard.co.uk, Accessed 8 February 2012.
  24. ^ a b c d Birchall, Heather. "Sir Thomas Brock 1847–1922", Tate online, February 2002. Retrieved 5 April 2008.
  25. ^ "Walking directions to Tate Britain from Pimlico tube station". Google Maps. 1 January 1970. Retrieved 15 August 2010.
  26. ^ "Walking directions to Tate Britain from Vauxhall station". Google Maps. Retrieved 15 August 2010.
  27. ^ "Walking directions to Tate Britain from Millbank Millenium Pier". Google Maps. Retrieved 8 April 2011.

External links

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The Clock Tower of the Palace of Westminster, colloquially known as "Big Ben", in Westminster, London, England.
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Millbank Pier, River Thames, London
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Tate Britain
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Flatford Mill (Scene on a Navigable River), oil on canvas painting by John Constable, 1816-17, Tate Britain
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Photograph of The Mud Bath, 1914. Oil on canvas, by David Bomberg.
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Railroad symbol "ferry"
The Age of Innocence - Reynolds.jpg
Caption from the museum

This picture, presented to the National Gallery in 1847, and subsequently transferred to Tate in 1951, has for many years been among Reynolds's best known works. In the nineteenth century it was deeply admired and frequently copied, National Gallery records revealing that between its acquisition and the end of the century no fewer than 323 full-scale copies in oil were made.

The picture was not a commissioned portrait but a character study, or 'fancy picture', as the genre was known in the eighteenth century. The present title was not invented by Reynolds, but derives from an engraving of 1794, the second impression of which was inscribed 'The Age of Innocence'. Traditionally, it is has been thought that the picture was painted in 1788. However, it is very probably identifiable with a work exhibited by Reynolds at the Royal Academy in 1785, and entitled simply 'a little girl'. On 8 April 1785 The Morning Herald, previewing Reynolds's proposed exhibits for the forthcoming Royal Academy exhibition, noted: 'An Infant Girl, disposed on a grass plat in an easy attitude. The companion to it is a girl fondling a bird. These subjects are fancy studies of Sir Joshua's and do him honour'.

Leighton Athlete Wrestling with a Python 01 Tate Britain.jpg

London, Tate Britain,

Frederic Leighton: An Athlete Wrestling with a Python, bronze, 1877, N01754
Newton-WilliamBlake.jpg

William Blake's Newton (1795), colour print with pen & ink and watercolour.

Blake's picture of Newton as a divine geometer was one of a series he created while living in Lambeth in the late 1790s.

Blake's printing appears to have been a form of self-developed monoprint which he then finished with additions in pen and ink coupled with watercolour washes.