|Born||14 October 1900|
|Died||23 April 1984 (aged 83)|
Chiddingly, East Sussex, England
|Known for||Home Guard Manual of Camouflage |
Institute of Contemporary Arts
(m. 1925; div. 1937)
Penrose was the son of James Doyle Penrose (1862–1932), a successful portrait painter, and Elizabeth Josephine Peckover, the daughter of Baron Peckover, a wealthy Quaker banker. He was the third of four brothers; his older brother was the medical geneticist Lionel Penrose.
Roland grew up in a strict Quaker family in Watford and attended the Downs School, Colwall, Herefordshire, and then Leighton Park School, Reading, Berkshire. In August 1918, as a conscientious objector, he joined the Friends' Ambulance Unit, serving from September 1918 with the British Red Cross in Italy. After studying architecture at Queens' College, Cambridge, Penrose switched to painting and moved to France, where he lived from 1922 and where in 1925 he married his first wife the poet Valentine Boué.
Penrose returned to London in 1936 and was one of the organisers of the London International Surrealist Exhibition, which led to the establishment of the English surrealist movement. Penrose settled in Hampstead, north London, where he was the centre of the community of avant-garde British artists and emigres who had settled there. With the Belgian surrealist E. L. T. Mesens, he opened the London Gallery on Cork Street, where he promoted the Surrealists as well as the sculptor Henry Moore, to whom he was first introduced by his close friend Wolfgang Paalen, as well as the painter Ben Nicholson, and the sculptors Barbara Hepworth and Naum Gabo.
Busy with other duties, he made a small number of paintings such as the 1938 Le Grand Jour, which he described as "a collage painting although nothing but paint has been applied to the canvas. The images are unrelated to each other but by coming together like images in dreams they produce new associations which can be interpreted in whatever way the spectator may feel inclined." The image, he wrote "seemed to indicate an atmosphere of excitement and exhilaration centred round the distillation of a dance hall and a sunset in an alembic".
London, Cornwall, and Paris
Penrose commissioned a sculpture from Moore for his Hampstead house; the work became the focus of a press campaign against abstract art. Penrose and Boué's marriage had broken down in 1934 and they divorced in 1937. Penrose came to Cornwall, in June 1937, staying in his brother's home at Lambe Creek on the Truro River. He was accompanied by a group of surrealist artists; his new lover Leonora Carrington, Max Ernst, Eileen Agar, Lee Miller, Man Ray, Edouard Mesens, Paul Eluard, and Joseph Bard. Photographs of their stay can be seen at Falmouth Art Gallery.
In 1938, Penrose organised a tour of Picasso's Guernica that raised funds for the Republican Government in Spain. In the same year he had an affair with Peggy Guggenheim, when she met him at her gallery Guggenheim Jeune to try and sell him a painting by French Surrealist artist Yves Tanguy. Penrose told Guggenheim that he loved an American woman in Egypt and in her autobiography Guggenheim reports she told him to "go to Egypt to get his ladylove." By 1939 Penrose had begun his relationship with the model and photographer Lee Miller; they finally married in 1947. They lived at 21 Downshire Hill, Hampstead, London, which now bears a blue plaque.
World War II camouflage work
As a Quaker, Penrose had been a pacifist, but after the outbreak of World War II he volunteered as an air raid warden and then taught military camouflage at the Home Guard training centre at Osterley Park. This led to Penrose's commission as a captain in the Royal Engineers.
He worked as senior lecturer at the Eastern Command Camouflage School in Norwich, and at the Camouflage Development and Training Centre at Farnham Castle, Surrey. During his lectures, he used to startle his audiences by inserting a colour photograph of his partner Lee Miller, lying on a lawn naked but for a camouflage net; when challenged, he argued "if camouflage can hide Lee's charms, it can hide anything". Forbes suggests this was a surrealist technique being put into service. His lectures were respected by both trainees and colleagues. In 1941 Penrose wrote the Home Guard Manual of Camouflage, which provided accurate guidance on the use of texture, not only colour, especially for protection from aerial photography, which was monochrome at that time.
After the war, Penrose co-founded the Institute of Contemporary Arts (ICA) in London in 1947. He organised the first two ICA exhibitions: 40 Years of Modern Art, which included many key works of Cubism, and 40,000 Years of Modern Art, which reflected his interest in African sculpture. Penrose was a presence at the ICA for 30 years; he produced books on the works of his friends Pablo Picasso, Max Ernst, Joan Miró, Man Ray and Antoni Tàpies. He was also a trustee of the Tate Gallery; he organised a survey of Picasso's work there in 1960 and used his contacts to negotiate purchases of works by Picasso and the Surrealists at discounted prices.
Penrose and Miller bought Farley Farm House in Sussex in 1949, where he displayed his valuable collection of modern art, and in particular the Surrealists and works by Picasso. Penrose designed the landscaping around the house as a setting for works of modern sculpture. Farley Farm House is now a museum and archive open to the public for guided tours on pre-determined days.
Penrose remained close to his first wife, Valentine; they met again in London during the war, and she came to live with Roland and Lee Miller for eighteen months. Valentine died at Farley Farm in 1978.
Awards and distinctions
His bold and enigmatic paintings, drawings and objects are some of the most enduring images of the surrealist movement. His postcard collages, examples of which are found in major national collections across Britain. He was awarded the CBE in 1960, and he was knighted for his services to the visual arts in 1966. The University of Sussex awarded him an honorary Doctorate of Letters in 1980.
Penrose is the uncle of the physicist and polymath Roger Penrose, and the chess Grandmaster Jonathan Penrose. He and Lee Miller had a son, Antony Penrose, who continues to run Farley Farm House as a museum and archive.
A filmed interview between Roland Penrose and Antoni Tàpies was directed by James Scott in Spain in 1974. The film, not previously completed, is in pre-production in 2018. The footage is available for viewing through the Fundació Antoni Tàpies.
- About Roland Penrose.
- "James Doyle Penrose | artnet". www.artnet.com. Retrieved 5 November 2019.
- Cork, Richard (May 2006). "Penrose, Sir Roland Algernon (1900–1984)". Oxford Dictionary of National Biography (2004, online ed.). Oxford University Press. doi:10.1093/ref:odnb/31538. Retrieved 19 January 2009. (Subscription or UK public library membership required.)
- Kellaway, Kate (22 August 2010). "Tony Penrose: 'With Picasso, the rule book was torn up'". The Guardian. Retrieved 8 May 2014.
- "Sir Roland Penrose Le Grand Jour 1938". Tate Gallery. Retrieved 26 April 2021.
- "Roland Penrose (1900-1984)". The Surrealism Website. Missing or empty
- Weinreb, Ben; Hibbert, Christopher, eds. (1993). The London Encyclopaedia (revised ed.). London: PaperMac. p. 243. ISBN 0333576888. OCLC 28963301.
- "Cork Street through time, a history of innovation and scandal. The street that introduced major artists and avant garde movements to the UK". Cork Street Galleries. Retrieved 26 April 2021.
- Breton, Andrea (2017). "A brief and incomplete history of art and artists in Cornwall". Best of Cornwall 2017. pp. 23–32.
- Guggenheim, Peggy (2005). Out of this Century: Confessions of an Art Addict. London: Andre Deutsch. pp. 191–193. ISBN 978-0233001388.
- Clark, Ross (9 July 2003). "Daily Telegraph report on installation of blue plaque". The Daily Telegraph. London. Archived from the original on 5 May 2013. Retrieved 23 January 2008.
- Newark, 2007.
- "Surrealist who tried to paint a whole nation green". The Scotsman. Retrieved 4 March 2007.
- Forbes, 2009, page 151.
- Forbes, 2009, pages 151–152.
- Gardham, Duncan (3 March 2009). "MI5 investigated Vogue photographer Lee Miller on suspicion of spying for Russians, files show". Daily Telegraph. Retrieved 9 May 2014.
- "About". Institute of Contemporary Arts. Retrieved 26 April 2021.
- Morris, Desmond. "Playground of the Avant-Garde: Desmond Morris on Post-War Rebellion and the Origins of the ICA". ICA. Retrieved 26 April 2021.
- Bayley, Lucy Rose (24 April 2015). "From the Archive: Shapes and Forms". ICA. Retrieved 26 April 2021.
- Archer, W. G.; Melville, Robert (c. 1948). 40,000 years of modern art : a comparison of primitive and modern. London: Institute of Contemporary Arts. OCLC 18470049.
- "Farleys House and Gallery: Home of the Surrealists". Farleys House and Gallery. Retrieved 26 April 2021.
OPEN SUNDAYS & THURSDAYS APR – OCT
- "No. 42231". The London Gazette (Supplement). 31 December 1960. p. 8898.
- "No. 43921". The London Gazette. 11 March 1966. p. 2703.
- Penrose, Anthony (8 April 2010). "Roland Penrose and Lee Miller at Farley Farm". Colchester Decorative and Fine Arts Society. Retrieved 1 July 2012.
- Surrealism Reviewed
- Scott, James. "Filmography". James Scott. Retrieved 26 April 2021.
Antoni Tàpies as Director 1974 Documentary (Work in Progress) A film about the Spanish/Catalan artist Antoni Tàpies, which consists of footage shot in Barcelona and interviews between Sir Roland Penrose and the artist.
- Forbes, Peter. Dazzled and Deceived: Mimicry and Camouflage. Yale, 2009.
- Newark, Tim. Now you see it… Now You Don't. History Today, March 2007.
- Penrose, Roland. Home Guard Manual of Camouflage. George Routledge and Sons, 1941.
ODNB article by Richard Cork, 'Penrose, Sir Roland Algernon (1900–1984)', rev. Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2006 accessed 27 May 2009
|Wikimedia Commons has media related to Roland Penrose.|
Media files used on this page
Author/Creator: believed to be David Scherman, Licence: Fair use
The famous 'startle' slide used by Roland Penrose in his Camouflage lectures in WWII, showing his partner the photographer Lee Miller on a lawn under an elegantly decorated camouflage net. The photo was apparently taken by David Scherman, a work partner of Miller's, ca 1940.