Pedal tones (or pedals) are special low notes in the harmonic series of brass instruments. A pedal tone has the pitch of its harmonic series' fundamental tone. Its name comes from the foot pedal keyboard pedals of a pipe organ, which are used to play 16' and 32' sub-bass notes by pressing the pedals with the player's feet. Brasses with a bell do not naturally vibrate at this frequency.
A closed cylinder vibrates at only the odd members of its harmonic series. This set of pitches is too sparse to be musically useful for brass instruments; therefore, the bells and mouthpieces of brasses are crafted to adjust these pitches. The bell significantly raises all pitches in the series, particularly on the low end, while the mouthpiece lowers the higher harmonics, limiting the amount to which higher harmonics are raised by the bell. The resulting compressed set of pitches resembles a new harmonic series that includes the even members. This new series is similar to that of a stopped conical tube, with the exception of the fundamental, which is no longer incorporated in the harmonic series.
The original fundamental resonance is not raised all the way to the new fundamental pitch, and is not used in playing. The new fundamental can be played, however, as a pedal tone. The higher resonances of the new series help the lips vibrate at the fundamental frequency and allow the pitch to sound. The resulting tone relies heavily on overtones for its perception, but in the hands of a skilled player, pedal tones can be controlled and can sound characteristic to the instrument.
On trombone, pedal B♭1 is frequently seen in commercial scoring but much less often in symphonic music. Notes below B♭ are called for only rarely as they "become increasingly difficult to produce and insecure in quality" with A♭1 or G1 being the bottom limit for most trombonists.
Pedal tones are called for occasionally in advanced brass repertoire, particularly in that of the trombone and especially the bass trombone. Although not overly much used, pedal tones can often be played on a didgeridoo.
- Nave, C.R. Brass acoustics, accessed 2007-07-04
- Wolfe, Joe. Acoustics of brass instruments (lip reeds): an introduction, accessed 2007-07-04
- Kennan and Grantham (2002). The Technique of Orchestration, p.148-149.ISBN 0-13-040771-2.
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Author/Creator: Ovinus Real, Licence: CC BY-SA 4.0
A better quality version of my previous submission. I play three notes on tenor trombone: Bb3, Bb2 and Bb1. They are all in first position. The first two notes are in the standard range of the trombone, while the last note is a pedal tone. This occurs when the instrument resonates at the fundamental, rather than the 2nd harmonic. Pedal Bb is relatively easy on trombone, but much harder on trumpet (I'm unable to do it, despite being proficient at trumpet and at a beginner's level on the trombone).