Il re pastore
|Il re pastore|
|Opera by W. A. Mozart|
by Torquato Tasso
23 April 1775
Il re pastore (The Shepherd King) is an opera, K. 208, written by Wolfgang Amadeus Mozart to an Italian libretto by Metastasio, edited by Giambattista Varesco. It is an opera seria. The opera was first performed on 23 April 1775 in Salzburg in the Rittersaal (knight's hall) of the Residenz-Theater in the palace of the Archbishop Count Hieronymus von Colloredo.
In 1775 the opera was commissioned for a visit by the Archduke Maximilian Francis of Austria, the youngest son of Empress Maria Theresa, to Salzburg. Mozart spent six weeks working on the opera. It consists of two acts and runs for approximately 107 minutes.
Metastasio wrote the libretto in 1751, basing it on a work by Torquato Tasso called Aminta. The libretto was picked up when Mozart (just 19 at the time) and his father saw a performance of it set to music composed by Felice Giardini – Mozart's version, however was two acts rather than Giardini's three, and has a few substantial changes. Each act lasts for around an hour in performance. The Salzburg court chaplain Varesco was largely responsible for this editing of Metastasio's libretto.
It is often referred to not as an opera, but as a serenata, a type of dramatic cantata. The appearance of a quartet of lovers (Aminta and Elisa, Agenore and Tamiri) of somewhat dubious fidelity automatically puts a modern audience in mind of Così fan tutte. The principal psychological theme of the opera is, however, the demands of love against the demands of kingship, as Aminta, the shepherd-king, tussles with his conscience, and in this Il re pastore is closer in theme to Idomeneo than any other of Mozart's operas. Indeed, Idomeneo was the next completed opera that Mozart wrote after Il re pastore, after his six-year-long break from the stage. Furthermore, the theme of qualities for kingship appears in another opera, La clemenza di Tito, his last one.
|Role||Voice type||Premiere cast, 23 April 1775|
(Conductor: Wolfgang Amadeus Mozart)
|Aminta, a shepherd, rightful heir to Sidon||soprano castrato||Tommaso Consoli|
|Elisa, Phoenician shepherdess||soprano||Maria Anna Fesemayr|
|Tamiri, daughter of the deposed tyrant, Stratone||soprano||Maria Magdalena Lipp[R 1]/Maria Anna Braunhofer[R 2]|
|Agenore, Sidonian aristocrat||tenor||Felix Hofstätter|
|Alessandro, King of Macedonia||tenor||Franz Anton Spitzeder|
The king of Macedonia, Alessandro, has overthrown Stratone, the tyrant of Sidon, but aims to find the rightful king.
In a meadow. The city of Sidon can be seen from a distance.
Elisa is with her lover Aminta, the shepherd. She assures him that the war between King Alessandro and Stratone, the tyrant of Sidon, will not affect their love for each other. Having deposed Stratone, Alessandro searches for the rightful heir to Sidon. He thinks that Aminta is the rightful heir. He comes to Aminta in disguise and offers him to take him to Alessandro. Aminta wants to remain a shepherd. Meantime, Agenore encounters his beloved Tamiri, daughter of Stratone. Tamiri is comforted to learn that Agenore still loves her.
Elisa gets permission from her father to marry Aminta. Aminta tells Elisa that he is the rightful heir to the throne and that his father was driven out by Stratone when he was a baby. Aminta promises to return to Elisa after claiming his throne. Aminta loves Elisa but Alessandro suggests that when Aminta is hailed king, royal duties take precedence over love. Alessandro suggests that Tamiri marry Aminta in order to ascend her father's throne. Aminta disagrees.
Elisa is prevented by Agenore from seeing Aminta. He also discourages Aminta from pursuing her. Alessandro tells Aminta to dress like a king so he can be presented to his subjects. He also decides that Tamiri marry Aminta. Aminta is distraught. Agenore is upset. He breaks the news to Elisa. Tamiri does not want to marry Aminta. Agenore, too, is tormented by the planned marriage. Tamiri tells Alessandro that she and Agenore are in love. The women throw themselves onto Alessandro's mercy. Elisa begs him to give her back Aminta who declares his love for Elisa ("L'amerò, sarò costante" / I shall love her, I shall be constant). Realizing the potential injustice he was about to inflict, Alessandro tells Aminta to marry Elisa and Tamiri to marry Agenore. Aminta is crowned king of Sidon.
- 1967 – Reri Grist (Aminta), Lucia Popp (Elisa), Arlene Saunders (Tamiri), Nicola Monti (Agerone), Luigi Alva (Alessandro) – The Orchestra of Naples, Denis Vaughan – 2 CDs RCA
- 2001 – Johannette Zomer (Aminta), Francine van der Heijden (Elisa), Claudia Patacca (Tamiri), Marcel Reijans (Agerone), Alexei Grigoriev (Alessandro) – Musica ad Rhenum, Jed Wentz – 2 CDs Brilliant Classics
- Casaglia, Gherardo (2005). "Il re pastore, 23 April 1775". L'Almanacco di Gherardo Casaglia (in Italian).
- Il re pastore: Score and critical report (in German) in the Neue Mozart-Ausgabe
- Il re pastore: Scores at the International Music Score Library Project
- Complete recording at Mozart Archiv
- "L'amerò, sarò costante" at Mozart Archiv
- on YouTube, audio recording by Lucia Popp
- Il re pastore discography (seven recordings) on operadis-opera-discography.org.uk
- "Il re pastore (K. 208) de Mozart, une pastorale politique", critical analysis (in French)
Media files used on this page
The so-called "Bologna Mozart" was copied 1777 in Salzburg (Austria) by a now unknown painter from a lost original for Padre Martini in Bologna (Italy), who had ordered it for his gallery of composers. Today it is displayed in the Museo internazionale e biblioteca della musica in Bologna in Italy. Leopold Mozart, W. A. Mozart’s father, wrote about this portrait:
„It has little value as a piece of art, but as to the issue of resemblance, I can assure you that it is perfect.” (Original text: „Malerisch hat es wenig wert, aber was die Ähnlichkeit anbetrifft, so versichere ich Ihnen, daß es ihm ganz und gar ähnlich sieht.“)Reference: Letter of Leopold Mozart to Padre Martini in Bologna from Dec 22, 1777 (MBA II, pp. 204f, No. 396).